THE KING’S MAN draws on great performances and a very exciting climax

The King’s Man (in English) Review {3.0 / 5} and review rating

The King’s Man is the story of the beginnings of a restrained intelligence organization. 1902 Orlando Oxford (Ralph Fiennes) was once a fighter but has now given up violence. He is in South Africa with his wife Emily (Alexandra Maria Lara), son Conrad and man Fyatti Shola (Jimon Hauns) to meet with the British regiment. The rebels suddenly attack the regiment, and this leads to the death of Emily. Before she dies, she tells Orlando to promise her that he will keep Conrad away from war and violence. Oxford agrees. 12 years have passed. It’s 1914. Adult Conrad (Harris Dickinson) wants to join the army. Orlando is obviously dead against the idea. One day British General Herbert Kitchener (Charles Dance) visits Orlando and tells him that the life of the Archduke of Austria Franz Ferdinand (Ron Cook) is in danger. With Conrad’s help the attack on his convoy was stopped. However, on the second attempt, the assassin succeeds, and the archduke dies. Meanwhile, somewhere deep in the mountains, a cab led by a psychotic leader is preparing to wreak havoc and chaos around the world. One of the members of the cabin is Gregory Rasputin (Rice Ifans), a priest who has significant influence over Russian Tsar Nicholas (Tom Hollander). Britain fears that if Russia gives up their support in World War I, they will have hard times. British intelligence is convinced that Rasputin must be stopped, because he can change the consciousness of the king. So Orlando, Conrad, Shola and Polly (Gemma Arterton) head to Russia to carry out Rasputin’s assassination. What happens next shapes the rest of the film.

Matthew Vaughn’s story is pretty good, for a separate film; the way the real characters and events were seamlessly woven into the plot is impressive. However, since this is part of the KINGSMAN movie series, the plot is just decent and not as great as the previous two movies in the series. The same goes for the screenplay by Matthew Vaughn and Karl Gaidusek. The story is fascinating, but the impact is limited, as it takes place in a completely different era. Plus, everything is fine, but not as exciting as in the first two films. However, some scenes are well thought out. The study is also point-by-point. The dialogues are thankfully quite witty and hilarious and add an entertaining factor to the film.

Directed by Matthew Vaughn leaves much to be desired for most parts of the film. Apparently, the intention of the creator was to inform viewers how Kingsman began and under what circumstances. However, moviegoers obviously expect the KING’S MAN to be in the same zone as KINGSMAN: THE SECRET SERVICE [2014] or KINGSMAN: THE GOLDEN CIRCLE [2017]. For example, a film like BACK TO THE FUTURE PART III [1990] also happening in a different time zone, and yet it seemed like a movie from the same franchise. This does not happen here. Another problem with the film is that it received an “A” certificate. Previous films in this franchise were too harsh, but this one is not. Therefore, an adult-only rating can lower cash fees.

The introductory scene of THE KING’S MAN is good, but the first 30-40 minutes are pretty weak. It feels like you’re watching a periodical drama, not a third of a series of films. The drama in the trenches is too good, but again, when viewed in isolation. As part of the KINGSMAN movie, it looks out of place and gives the 1917 deja vu [2020]. However, there is no denying that it will definitely attract attention. Fortunately, there are entertaining moments in the film. The fight with Rasputin is completely in the KINGSMAN zone and creates a mood. In the second half, the last 30 minutes are great and largely save the situation. The sequences of the parachute and the lift stand out.

Ralph Fiennes is in great shape and suitable for the role. He is especially exceptional in the last part of the film when he is able. Harris Dickinson provides skillful support. Jimon Hauns gets his moments to shine. Gemma Arterton is too good in a small role. Rice Ifans is a surprise, and his exposure raises many notches in his scenes. Tom Hollander plays as many as three characters – Russian Tsar Nicholas, English King George and German Kaiser Wilhelm and decent. Charles Dance, Ron Cook and Alexandra Maria Lara perform their small roles perfectly. Matthew Hood (Morton) leaves a trail. Daniel Bruhl (Eric Jan Hanusen) and Aaron Vodavoz (Felix Yuzupov) are wasted. The same goes for Valerie Pahner (Mata Hari); her character is iconic and deserves more screen space. Aaron Taylor-Johnson (Archie Reed) is wonderful.

The music of Matthew Margeson and Dominic Lewis has a cinematic appeal. The cameraman Ben Davis is impressive, and the place at the top of the hill is particularly well conveyed. Darren Guilford’s production is rich and very detailed. The action this time is less bloody, unlike the two previous KINGSMAN films, which were too harsh. VFX is top class. The edits of Jason Ballantyne and Rob Hall could have been smoother.

All in all, THE KING’S MAN holds on to great performances and a very exciting climax. However, its handling and setting are different from the previous two editions of this franchise, which is why fans of the series may feel inadequate. He was also unfairly awarded the “A” certificate, even though he was not as tough as the prequel. On the plus side, it has received extensive rental and for the next couple of weeks there will be no film at the box office for the competition.

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