DUNE is a cinematic spectacle with great performances. However, the lack of noise, long duration and confusing narrative will affect its box office prospects.


Dune (in English) Review {2.5 / 5} and review rating

DUNE is the story of the son of a noble family who could be the only one. 10191 This is the time when a group of planets is part of the Empire and they all target the planet Arrakis. Arrakis is an arid, hot and inhospitable place, and the only group of people living there is Freemen. They are dangerous and experienced fighters. However, all the planets are interested in Arrakis because that’s where the “spice” grows. It is a priceless substance that prolongs human youth, vitality and longevity, and therefore is in great demand in the Empire. For about 80 years, the House of Harkonen from the planet Giedi Prime was responsible for collecting spices in Arrakis. But by order of the emperor, the patrimony of Arrakis is transferred to the power of the planet Caladan – the Duke of Leto Atreides from the House of Atreides (Oscar Isaac). Leto and his partner Jessica (Rebecca Ferguson) are Paul’s parents (Timothy Shalame), and the entire trio is going to travel to Arrakis to take charge. Paul has mysterious dreams in which he sees the landscape of Arrakis. He also sees a girl (Zenda) and cannot decipher what the dream conveys. It then turns out that Jessica is a member of Bene Jesserit, an exclusively female group that pursues mysterious political goals and possesses seemingly superhuman physical and mental abilities. Jessica invites the Reverend Mother (Charlotte Rampling) of Ben Jesserit to learn about dreams that bother Paul. Her discoveries have a profound effect on Paul on the eve of his trip to Arrakis. Summer, Jessica and Paul arrive on Arrakis and it seems all right, they do not know that behind them is a sinister plan.

Movie Review: Dune

DUNE is based on the novel of the same name by Frank Herbert. The story is complex and not all aspects are easy to understand. But overall it’s a fascinating story that should be adapted on celluloid. The screenplay by John Spices, Danny Villeneuve and Eric Roth is fascinating. The authors do their best to explain to the audience the place of the film, as well as the dynamics shared by different characters. DUNE is more than action and scale, human drama, and three writers deserve thanks for treating it well. However, in the second half the writing stagnated and some aspects of the film were never properly explained. The dialogues are deep, and some of them may pass in the minds of the audience.

Denis Villeneuve’s direction is commendable. To make such a film, you need a lot of courage and full appreciation of Denis for the fact that he is unconscious on this front. The film is a visual spectacle and it is one of his great USP. Denis copes with it perfectly. Several scenes are performed exclusively. On the other hand, at 155 minutes the film is too long. The first half moves instantly, but in the second half you can feel the film go on and on. He is also devoid of humor or light moments. This combined with the complex narrative makes DUNE ideal only for a niche audience.

The sequence of DUNE administration is a bit confusing. Only later, when Paul talks to his father, does everything become much clearer. Paul’s sequence of training with Gurney (Josh Brolin) and Paul’s intense interaction with the Reverend Mother are memorable. On the stage where the group Atreides is trying to save the members of the trawler from the sandworm, the level of tension is finally increasing. In the second half the film goes to another level as the Duke is suddenly attacked at night. Paul’s escape is dramatic. But the scenes, when he runs around and finds Freeman, get a little longer. The climax is unpleasant. The film ends with the promise of a sequel.

Speaking about the performances, Timothy Shalame with the main party plays the lead role. It looks great and gives a skillful and subtle execution. Oscar Isaac is cute. Rebecca Ferguson works great and has significant screen time. Zendai has an exciting presence, but unfortunately she is there for less than 10 minutes. She has fans and they will surely miss if you know she is hardly there. Charlotte Rampling leaves a trail in a cameo. Josh Brolin is fine. Jason Momoa (Duncan Idaho) is as funny as ever. Stellan Skarsgård (Baron Vladimir Harkonen) is menacing, and his entry scene is pretty good. Dave Bautista (Raban) is not getting much of a swing. Sharon Duncan-Brewster (Dr. Lit-Caines) is wonderful. Javier Bardem (Stilgar) is decent. Stephen McKinley Henderson (Tufir Hawat), Chang Chen (Dr. Yue), Babs Olusanmakun (Jamis) and Benjamin Clementine (Herald of Change) are fine.

Hans Zimmer’s music, as expected, amplifies the impact. However, in some scenes the music is too loud and too “cinematic” and it does not match the visual effects on the screen. Operator Greig Fraser deserves awards. The desert landscape is especially beautifully recorded. Patrice Vermet’s production is rich, and you can feel that the film is based in another world. The costumes of Bob Morgan and Jacqueline West are unique and attractive. The action is wonderful and thankfully not bloody. VFX is top class. Some of the effects have never been seen before. Joe Walker’s editing could have been clearer.

In general, DUNE is a cinematic spectacle decorated with wonderful performances. However, due to the lack of excitement, long duration, confusing narrative and lack of humor and easy moments; it will please only a certain part of the audience.



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