Dale Dickie and Wes Study in “Songs of Love” – ​​Deadline


If ever there was what we can affectionately call the “Sundance movie”, so be it A song about love, The micro-small, heartfelt drama, directed by actors, unfolds in the rural western highlands of Colorado from first-time feature writer and director Max Walker-Silverman. The premiere in the next section of the Sundance Film Festival tonight is a deliberate viewing of two lonely lives of former childhood friends who now lead a seemingly wandering existence after grief over the loss of their separate spouses as they form an uncertain reunion. which may – or may not – lead to romance, even when they have reached old age. Surprisingly, this is the perfect companion for last year’s Oscar winner for Best Picture, Wandering land , the film also unfolds in the sparse surroundings of the Southwest and focuses on a specific character, now lonely, who sets off after the end of a life she once knew. It is probably no coincidence that the key producer here is Dan Janvi, who was one of the producers Wandering land too.

Sundance Film Festival

A gift for Walker-Silverman – in his stars, not only in those magnificently shot by his cinematographer Alphonse Herrera Salced in the magical sky that pervades this densely populated camp where the film takes place, but mostly in his real stars, Dale Dickie and Wes Studi, two exceptional veteran actors who didn’t get the chance to make the film but got it here, a rare walk for senior actors in what could be described as an indicative romantic drama, but more obviously a study alone.

Deadline

At the heart of it all is undoubtedly the Wild, whose weathered face in irreconcilable close-ups is a vision that the camera is in love with. A veteran of more than 60 predominantly independent films including The bone of winter, Wild plays the widowed Faye, who has now traveled with the camper to this secluded place. We know nothing about her except that she seems comfortable communicating with the glory of nature. It slowly turns out that she’s actually waiting for the arrival of an old school classmate who plans to visit her, a man named Leto (Study), but whether it’s just a story she made up for rare human interactions in the camp, or whether it’s really the only level of tension in what is essentially a character study that contains limited dialogues, the best clues in this expressive face that tries to find new hope for life as it gets older. While she – and we – are waiting for this mysterious guest, there is a perverse meeting with a young girl and her four brothers, who present themselves as one, explaining the need to access the land under her camper, the burial place of their father, whom they plan to move to another more picturesque place nearby. There are also neighbors, a female couple (Michelle Wilson, Benya K. Thomas) who spend a short but lively screen time. We also meet the postman of the camp, who briefly distributes letters. Roughly this is the biggest problem that arises when a girl and brothers find themselves in desperate need of an engine from Faye’s car.

Fear not, a great event comes when Lita actually arrives and their awkward meeting begins, a visit where they can restore the centuries-old friendship they shared as children, but now seems to have shared losses and loneliness. They bathe together, share crackers and ice cream, and in the Studio there is one wonderful moment when he plays a song that his wife actually loved. Lita asks Faye for help to put up the tent he brought with him to spend the night, but she has other thoughts to invite him to his camper. What is said is not as important as what is no said in superficial conversations between the couple. Diki and Stady add dimension and insight without having to resort to great dialogues. It is cute, quiet, and like a portrait of two souls, now lonely for all intentions and purposes, heartbreaking but hopeful. Walker-Silverman has also managed to put together a superbly chosen music soundtrack that extremely adds to the atmosphere with songs from the Taj Mahal, Jerry Jeff Walker and others. Another nice touch is the score of the composer Ramzi Bashov based on the guitar.

Thanks to the chance to see Wild and Studi, who got such an opportunity in an industry resistant to adult stories of love and longing for people of a certain age, A song about love modest but worth the trip for viewers who want to take it. In addition to Janvi, Jesse Hope and Walker-Silverman also got as producers. Cinetic Media sells.





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