BAFTA nominations; Year of UK Records; Beijing starts – deadline

Insiders after dinner. It’s been a big week in the world of international film and television, but we’ve explained it to you. Read on to get all the in-depth news and analysis.

BAFTA Noms Split The Crowd

Leads the pack: Nominations for the BAFTA Film Awards 2022 have already ended, and this year’s harvest is headed by Dune with 11 nominations, then The power of the dog (pictured) at eight and Belfast at six. See them completely here. Overall, it was a diverse and interesting choice, with a particularly appealing field of best director that didn’t quite fit the category of best film. This also happened last year, particularly after the BAFTA introduced a new voting system that provides that nominations for certain categories, including directors, are decided by a jury rather than a wider circle of voters.

The question of diversity: Last year, BAFTA was concerned with whether the organization would be able to address pressing diversity issues, and the number of 2021 nominees was announced as a step in the right direction towards inclusiveness. At first glance, 2022 has prompted a restructuring of expectations after last year’s major correction, but overall the trend is looking in a positive direction. Apple’s CODA star Troy Kotsur became the first deaf actor to be recognized at the film awards, for example, for best supporting actor. However, industry believes that the changes have made some categories less representative of the wider BAFTA vote. More on this in Nancy’s analysis.

Surprises and surprises: I do not nod at the photo of Princess Diana Pablo Loren Spencer was a big surprise, and presenter Kristen Stewart was expected to do so. Additional notable omissions include Nicole Kidman for Being Ricardas and Olivia Coleman for The lost daughter. See Andreas’ full note on profanity.

Streamer table: This year’s nominations have proved to be a more balanced division between studios and streamers than last time, no wonder cinemas are up and running again. Netflix led, and Apple received the first nominations in the major categories. Diana passed the test.

Breaking records

Confrontation Covid: This is the annual BFI statistics week and great news for the UK’s high-end film and television (HETV) sectors, which did not allow Covid to grow rapidly in 2021 and bring in a record $ 7.6 billion in production costs. A quick look shows that HETV is where growth really is. Great strikers such as Bridgeton (pictured) and Call my agent! led to production costs of this genre reaching $ 4.1 billion, while high-budget one-time Netflix works such as Pinocchio, accounted for in HETV also helped. There was a time when cinema dominated these lists, but this time is no more, and now big-budget television brings in almost three times as much. Last summer, sources indicated that the HETV sector was almost at full capacity and a number of studios are scheduled to open this year, while the long-awaited Lord of the rings The second season will soon appear at Berkshire’s Bray Studios.

The woes of indie: A deeper study of statistics shows that it is the great American films and television productions that really make a difference on this side of the Atlantic. While most of the films that went into production in the UK in 2021 were domestic, the cost of these films is a small fraction of the total pie. This is also shown by the box office figures, as a result of which the share of the independent film market in the UK fell to 5% from 14% in 2020 and continues the trend of dominance of box office fees for photos with tents off the coast of Britain. The biggest-grossing indie film of the year in the UK was technically French dispatchwhich took over part of its production in the country and received 4.1 million pounds. No time to die led to a more general resumption of cash fees, attracting 16.4 million receipts and earning £ 96.6 million. As the world continues Covid’s long-awaited recovery, all eyes will be on where these trends are headed next.

Beijing is tied

Ice reception: According to Insider, the opening ceremony of the Winter Olympics in Beijing is taking place, and Nancy Tartaglione and Dom Patten are covering them in real time, and Nancy is publishing this coverage of director Zhang Imou’s comments over the past few minutes. These games have been the most controversial for years (well, from Russia 2014). Several major countries, including the United States, Britain and Australia, have imposed a diplomatic boycott, and the human rights situation in China, including attitudes towards the Uighur minority, has come under the microscope. At the same time many will watch.

A major European discovery: It’s convenient for American viewers guidance from my colleague Tom Tap is about where to set up, but if you’re in Europe, you’ll probably use Discovery. The entertainment giant is broadcast live in 50 European territories via Discovery +, Eurosport Player and various local rights deals. So me and American business guru Deadline Dade Hayes found it timely to write an analysis of how the game at the Discovery Winter Olympics reflects major European ambitions.

Leaving DAZN: Discovery of the United Sports Enterprise in the UK with the slightly ill BT Sports was even more timely, news which was open just 24 hours before the official opening of Beijing. Pending the approval of regulations, the organization can earn by the end of this year and will collect a big blow, combining major Olympic tournaments and major games in football, tennis, golf and more. But what a difference five days can make. At the beginning of the week all the smart money in the world was included Headliner MIP TV DAZN Kevin Mayer imitates BT Sport. In the end, Mayer called the deal “uneconomical” because “Discovery” put his clothes on the post. This is one to watch.


“Raising the level”: As if BAFTA and BFI statistics weren’t enough to keep up, this week the UK hosted the Creative Coalition 2022 festival, and Prime Minister Boris Johnson’s ambitions to “boost the level” to improve the creative industries in forgotten cities were firm. on the agenda. The Sector for Culture and Culture Nadine Doris used her lecture present a great review considering “how best to be inclusive and introduce creative industries to communities across the UK”, while Performing duties creator Jed Mercury (pictured) accused geographical and economic inequality of creating a “polarized creative community.” During the three days there were many other panels on various topics with big names, including a fascinating session on bullying and harassment with the chairman of Time’s Up UK Heather Rabats, who called on the government to ban the NDA and help end this scourge. “The law (around the NDA) is used to protect criminals, and it doesn’t make any logical sense,” added campaign member Zelda Perkins, who was silenced by the NDA for 20 years after her friend fell victim to Harvey Weinstein. Elsewhere, the BFI has announced plans to introduce welfare brokers into all of its funded films as it struggles to make last year’s accusations against Noel Clark a thing of the past.

Deep dive of the Berlinale series

Julia Fidel

Sitting with Julia Fidel: An international insider without a scream in Berlin would not be an international insider, so good that this week I had to sit down with the head of the Berlinale series Julia Fidel, a woman tasked with promoting the festival’s efforts on a smaller screen. Along with seven other judges, one of Julia’s works included reducing the 200 Berlinale series to seven, resulting in an Argentine spy escapade for Amazon, a touching Franco-Canadian drama and the Swedish comedy HBO Max about a group of middle-aged sex women. Julia spoke about the events in Scandina, world trends (“TV writers have found that Eastern Europeans are pretty cool”) and how television is becoming an increasingly important part of the festival. Read on.

Monica Viti remembered

Screen icon: Honoring Monica Viti, an Italian screen icon known for a number of 1960s classics, died on Wednesday at the age of 90, battling Alzheimer’s disease for a number of years. Viti became famous after a spectacular collaboration with legendary director Michelangelo Antonioni in the late 1950s and early 1960s before starring in films such as Adventure (1960), The Red Desert (1964), Eclipse (1962) and Night (1961). Andreas wrote obit.

The right to kidnap people

History of Tumburkai: Finally, this week saw the most bizarre human rights deal: Boies Schiller Entertainment won to tell the story of Abdullah Tumburkai, a Nigerian farmer who saved his two brothers from abduction and became an expert across the country in the talks. “There are so many offers from Los Angeles, people contact me every day,” he told Mike Fleming Jr. Intrigued? Go deeper.

The main thing

🌶️ Hot one of the week: Laura Dern, Noah Jupp and Benedict Cumberbatch tuned for the lead role Justin Kurzel is fantastic Morning.

🌶️ Another: Hot from EFM when we showed a sequel to Gerard Butler Lair of Thieves 2: Panther preparing for spring filming in Serbia and France.

🌶️ Another: Read more EFM as Tom introduces Fluke Studios to wrap production of thriller jailbreak Bosco, starring Aubrey Joseph, Theo Rossi and Thomas Jane.

🌶️ Not another ??: Scottish Conservatives have made an unprecedented step wrote to his own party to call on the UK Culture Division Nadine Doris not to privatize Channel 4.

🚚 On the go: Andreas brought news from Sharon Levy ‘s move Fauda and Stissel producer-distributor Yes Studios.

🚚 More moves: Endeavor Content-backed Scandi indie Nordic Drama Queens signed Netflix Spotify Unltold producer Eiffel Matson.

🏪 Setting up the store: Dominique Janno, John Baldeki, Alex Dundas and Griffin Gmelich cooperated to launch the Roundtable Entertainment organization in Los Angeles.

🍿 Checkout: China Battle of Changjin Lake II scored 168 million pounds by Wednesday for Chinese New Year.

🎦 Trailer: Check the first clip for the document Nick Cave I know this to be true.

🖼️ First Look: Glenn Close joins the cast AppleTV + spy thriller Tehran.

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